Documento original
GPT Image 2 · en
A highly realistic magazine-style studio portrait, featuring a {argument name="subject gender" default="woman"} The subject, in her thirties, with a well-proportioned figure, is photographed from a level, half-body perspective. Facing the camera, she exudes relaxation and confidence, her hands casually in her pockets. She wears a custom-made dark charcoal gray suit jacket over a low-saturation olive gray crew-neck T-shirt, paired with dark trousers. Her hairstyle is {argument name="hair style" default="Shoulder-length dark brown wavy hair, naturally parted to the side."} Slightly tousled, the hair gently softens the shoulder lines. The expression remains calm, neutral, and confident. An 85mm portrait lens at f/2.8 was used, resulting in sharp focus on the subject and a softly blurred background. Clean, professional studio lighting was employed, with a softbox positioned at the front as the main light, complemented by subtle fill light to reduce harsh shadows, and a soft rim light around the hair and shoulders. The background is a seamless studio backdrop, presenting a soft, warm beige to light gray-brown gradient with a minimalist texture and no distracting clutter. Color gradation is naturally balanced, skin tones are realistic, contrast is soft, and there is no excessive retouching or filtering. The overall atmosphere is understated, modern, sophisticated, and high-end, conveying the quality of a fashion or corporate magazine portrait. Ultra-refined, photorealistic, 8K resolution, no noise, no motion blur, no distortion, no props, no jewelry, and no text.Cómo usar
- Copia el prompt original completo, incluidos los parámetros.
- Adapta el tema, el texto y la composición a tus necesidades.
- Usa una herramienta externa compatible; comprueba el acceso y el resultado.
Antes de empezar
- Comprueba si necesita una imagen de referencia. La compatibilidad no demuestra qué modelo generó el ejemplo.
- Revisa nombres, cifras y textos; el resultado puede variar entre versiones del modelo.
