Document original
GPT Image 2.5 · en
A traditional Japanese tattoo flash sheet, 3:4 portrait, drawn in black sumi ink with grey wash and one accent
colour on a single aged sheet of off-white paper, flat and straight on.
SHEET
Six motifs arranged in a 3 by 2 grid with wide, even clear space between them and a generous margin on all four
sides. Each motif is a finished, self-contained design that could be lifted off the sheet and tattooed as it
stands. No boxes, no frames, no dividing rules, no shading behind the motifs. The paper is warm off-white with
a faint fibrous tooth, a soft crease across the lower third, and a very slight tea-coloured tone at the edges.
THE SIX MOTIFS, top row left to right then bottom row left to right
1. A koi carp swimming upward and to the left, body curved into a strong S, fins spread and filled with fine
black lines, a few scales picked out individually near the shoulder and the rest left as graded grey wash.
2. A single open peony, petals layered from a pale outer ring to a dense dark centre, with two leaves behind it
and one stem cut off square at the bottom.
3. A breaking wave drawn with clawed white crests in the traditional manner, the interior filled with a fine
pattern of parallel curved lines and graded wash, the spray flicked outward at the top right.
4. A coiled dragon head and shoulder only, seen from the front-left, jaws open, whiskers sweeping back, one
claw raised; the body is implied and cropped by the drawing's own edge, not by the sheet.
5. A cherry blossom branch entering from the lower right with five open blossoms at different stages and three
closed buds, the branch drawn in a single confident stroke with two small knots.
6. A hannya mask, front on, horns curving back, eyes narrowed, mouth open to show pointed teeth, the cheeks
graded from pale grey at the temples to near-black at the jaw.
INK AND WASH
Fine confident black linework with clear variation in weight: heavy on the outer contours, hair-fine on scales,
whiskers, petal veins and water lines. Mid-tones are built from even black wash in distinct flat gradations,
not smooth gradients — you can see the edges where one wash value meets the next. The only colour on the sheet
is a single vermilion accent, used sparingly and identically in each motif: one small area per design, never
more than about a tenth of it. Whites are untouched paper and are used as a designed element, not left over.
CONSTRAINTS
No text anywhere: no labels, no Japanese characters, no signature, no seal, no stamp, no numbers, no brand mark,
no watermark. Do not add background: no clouds, no water, no flowers behind the motifs. Do not merge two motifs
into one design and do not let one motif run into its neighbour's space. Do not use more than one accent colour,
do not fill large areas with it, and do not outline the motifs with a coloured line. Do not render as a 3D
illustration, a tattoo on skin, or a photograph of a sheet.
Mode d’emploi
- Copiez le prompt original complet, paramètres compris.
- Adaptez le sujet, le texte et la composition à vos besoins.
- Utilisez un outil externe compatible ; vérifiez l’accès et le résultat.
Avant de commencer
- Vérifiez si une image de référence est nécessaire. La compatibilité ne prouve pas le modèle utilisé pour cet exemple.
- Vérifiez noms, chiffres et textes ; les versions du modèle peuvent produire des résultats différents.
