AmirMušić #309

AmirMušić #309

Document original

Nano Banana · en

[BRAND NAME] | [HEADLINE] | [SUB-TEXT] | [CTA]. Act as a Senior Art Director.

PHASE 1: INTEGRATED COMPOSITION & OVERLAP.
- Layout: Seamless fusion of 2D graphics and 3D photography.
- Overlap Logic: The subject and their primary "Product Prop" (e.g., a car, a device) must physically overlap the graphic panel to break the "wall" between design and photo.
- Unity: Geometric shapes from the graphic side must bleed into the photographic sky area.

PHASE 2: BRAND & CATEGORY SIMULATION.
Autonomously analyze the [BRAND NAME] and its industry category:
- INDUSTRY CONTEXT: 
  * If Automotive: Include the vehicle and a person interacting with it.
  * If Tech: Include flagship devices/gadgets.
  * If Fashion/Lifestyle: Focus on editorial poses and premium accessories.
- SHAPE SIMULATION: Match shapes to brand identity (e.g., Sharp/Speed for Auto, Minimalist/Grid for Tech).
- COLOR SIMULATION: Use the brand's primary signature hue for both the graphic pattern and the subject's outfit/accents.

PHASE 3: TYPOGRAPHY & CUSTOM CONTENT.
- Headline: Display "[HEADLINE]" in a bold, modern Sans-Serif font. (If [HEADLINE] is empty, generate a high-energy slogan for [BRAND NAME]).
- Sub-headline: Display "[SUB-TEXT]" below the headline.
- Button: Create a minimalist pill-shaped CTA button with the text: "[CTA]".
- Interaction: Text layers should have 3D depth, sitting partially behind the subject or product prop.

PHASE 4: PHOTOGRAPHY & SUBJECT.
- Perspective: Extreme low-angle (worm’s eye view) looking up.
- Subject: A diverse persona reflecting the brand's audience.
- Environment: Massive, clear blue sky as the backdrop.
- Visual Link: Subject's styling must incorporate the Brand's primary color.

PHASE 5: FINAL VISUAL STYLE.
High-end commercial aesthetic. Crisp, saturated, professional fusion of flat vector art and realistic photography.

Mode d’emploi

  1. Copiez le prompt original complet, paramètres compris.
  2. Adaptez le sujet, le texte et la composition à vos besoins.
  3. Utilisez un outil externe compatible ; vérifiez l’accès et le résultat.

Avant de commencer

  • Vérifiez si une image de référence est nécessaire. La compatibilité ne prouve pas le modèle utilisé pour cet exemple.
  • Vérifiez noms, chiffres et textes ; les versions du modèle peuvent produire des résultats différents.

Exemples similaires

AmirMušić #508
Nano Bananaen

[BRAND NAME] | [HEADLINE] | [SUB-TEXT] | [CTA]. Act as a Senior Art Director. PHASE 1: INTEGRATED COMPOSITION & OVERLAP. - Layout: Seamless fusion of 2D graphics and 3D photography. - Overlap Logic: The subject and their primary "Product Prop" (e.g., a car, a device) must physic

AmirMušić #306
Nano Bananaen

[BRAND NAME]. Act as a World-Class Editorial Designer. PHASE 1: DYNAMIC SUBJECT LOGIC. - Subject Selection: Autonomously analyze [BRAND NAME]. - Layering (The Sandwich Effect): Interweave the subject with background shapes. Some parts of the car/person must be hidden behind ge

AmirMušić #475
Nano Bananaen

[BRAND NAME] | [SLOGAN]. Act as a Professional Editorial Art Director. PHASE 1: PHYSICS & GROUNDING (THE "STABILITY" RULE). - Analyze [BRAND NAME] category: * CATEGORY A (Active/Sports/Fashion): The subject (person) is in a high-intensity leap, detached from the ground, silhou

AmirMušić #694
Nano Bananaen

[PERSONE]. Act as a Senior Art Director. PHASE 1: PHOTOGRAPHIC COMPOSITION. - Layered Effect: Double exposure photographic collage. High-definition action shot in the foreground; massive monumental silhouette in the background. - Overlap: The subject must seamlessly integrate

AmirMušić #324
Nano Bananaen

[BRAND NAME]. Act as a Social Media Art Director and Digital Collage Artist specializing in bold, youth-oriented brand content for Instagram and digital campaigns. PHASE 1: CONCEPTUAL FRAMEWORK Create a dynamic digital collage that merges fashion photography with graphic design c

AmirMušić #793
Nano Bananaen

[BRAND NAME]. Act as a Senior AI Visual Strategist & Creative Director. Goal: Generate a high-motion triptych editorial where every visual element (color, text, props) is a direct semantic derivative of the brand name. PHASE 1: SEMANTIC BRAND ANALYSIS (AUTONOMOUS) [INSTRUCTIONS F