prod-by-claude

prod-by-claude

Turn a Strudel track into a live-coding video. The music is rendered offline from the code, and the video is driven by Strudel's own note events, so every highlight lands on its note.

When to use

• The user wants a video of Strudel code playing: "make a video of this Strudel track", "show the

code lighting up", "live-coding video", or a track the agent composed for them.

• Not for other audio or DAW projects, talking-head videos, or visualizers of an existing audio

file with no Strudel code (use the HyperFrames music workflow for those).

Inputs

• A Strudel track (.strudel.js), or a brief to compose one. Compose with

references/composing.md. With no track, start from assets/example/track.strudel.js (synth-only, no samples).

• The arrangement: length in bars, and which bars are builds and drops.

Tools and dependencies

• Node 22 or newer, npm, and the HyperFrames CLI pinned to hyperframes@0.8.70 (run through npx --yes).
• tools/package.json pins everything else: @strudel/web 1.3.0 (AGPL-3.0, installed from npm,

not bundled here), puppeteer-core 25.12.0, @puppeteer/browsers 3.2.3, and the OFL fonts @fontsource/jetbrains-mono 5.3.0 and @fontsource/rubik-mono-one 5.3.0.

• Chrome for Testing 149.0.7827.22 for recording, or any Chrome given as CHROME=<path>.
• No credentials.

Workflow

1. Create the project (plain file copies):

node <skill>/scripts/new-project.mjs <project-dir> [track.strudel.js]

1. Edit <project-dir>/video.json: bars, builds, drops, themes, storm parts, signoff

(references/video.md, references/themes.md). The template already matches the example track, so skip this step when using it.

1. From <project-dir>/tools, install the pinned tools: npm install
2. From <project-dir>/tools, if CHROME is not set, fetch Chrome for Testing:

npx --yes @puppeteer/browsers@3.2.3 install chrome@149.0.7827.22 --path .chrome

1. From <project-dir>/tools, record: node record.mjs .. It takes about 5-7 minutes for 32

bars (give it a 10 minute timeout), prints levels per 4 bars and warns on clipping. Fix the track and record again until the drops peak at or below -2 dBFS with no clipped samples.

1. From <project-dir>/tools, build the video data: node build-data.mjs .. It prints the

snapshot command for step 7.

1. From <project-dir>, run npx --yes hyperframes@0.8.70 check ., then the printed snapshot

command, and look at every frame (what to look for: references/video.md).

1. From <project-dir>, render locally when the user asks for the video:

npx --yes hyperframes@0.8.70 render . -o renders/video.mp4 HyperFrames cloud render (npx --yes hyperframes@0.8.70 cloud render .) spends credits on the user's account: use it only after the user explicitly agrees.

If the track changes, repeat steps 5-7. If video.json changes, repeat steps 6-7.

Outputs

• assets/bgm.wav (the mix), assets/stem-<part>.wav (the scope part), data/events.json

(every note with its code locations), data/events.js (what the composition reads).

• renders/video.mp4, 1080×1080, 30 fps, about pre + bars × 240 / bpm + 4.6 seconds with a

sign-off.

Side effects

• Files: writes only inside <project-dir>. build-data.mjs rewrites the data-duration and

audio data-start attributes in index.html.

• Network: npm install (npm registry), the Chrome for Testing download (about 150 MB from

Google's storage), and GSAP from cdn.jsdelivr.net when the composition loads. snapshot uploads frames to a hosted captioning model unless given --describe false, so always pass it. Recording runs on 127.0.0.1 only and fetches nothing unless the track itself loads samples (then from the sample URLs the track names).

• Audio: recording is headless and muted; nothing plays out loud.
• Cost: none, unless the user approves a cloud render.

Verify

• record.mjs exits 0, lists every part, and reports no clipping.
• check passes with 0 errors. canvas_overflow info notes for code lines below the frame are

expected.

• In the snapshots: line 1 typing at 0.6 s, the first part blooming and highlighted after pre,

graffiti in each drop, the decode after each drop, the sign-off at the end.

• In the render: the first sound lands at pre seconds, and the video ends in black.

Rights

The music written in Strudel belongs to its author; Strudel's AGPL covers the software, not the tracks. Built-in synths need no clearance. Samples loaded by a track are other people's recordings: use only sounds the user owns or has cleared.