p5-paint-animation

p5 Paint Animation

Three flows, one engine. Pick by input:

When to use / when not

Use for: hand-made-looking motion — handwriting that writes itself, photos as brushstroke paintings (still or animating), short clips as living paintings. Do NOT use for: crisp typography or brand-accurate text (use real fonts), photoreal output, footage longer than ~10s (render cost scales per frame ≈ 5–20s each), or live/interactive pages (this renders offline MP4/PNG).

Requirements and side effects

• Requires: Node 22.12+, ffmpeg on PATH, ~500MB disk (Chromium).
• sh scripts/setup.sh (run manually, once) uses the committed lockfile to

download pinned dependencies from the npm registry: puppeteer 25.9.0, p5 2.3.2 (LGPL-2.1), and p5.brush 2.2.1 (MIT). Puppeteer downloads its pinned Chrome for Testing build from Google's download service. Read-only downloads; no credentials, no cost, nothing uploaded.

• Renders launch sandboxed headless Chromium on a blank page. Network and local

file requests from sketches are blocked; sketches receive inputs as data URLs.

• Writes only inside paths you pass (out.png / out.mp4, plus a sibling

.track.json and, with --keep-frames 1, a _frames_* directory).

• Optional, only for flow C subject matting: `npx hyperframes

remove-background` (downloads the HyperFrames CLI from npm; local CoreML inference, no data leaves the machine).

Verify success

Render any command below, then open the output: the last frame must show the complete artwork (text fully written / painting fully covered), and re-running with the same --seed must produce identical bytes on the canvas. The smoke test used for review: node render-anim.mjs sketches/handwriting.anim.js /tmp/t.mp4 --size 1600x900 --seed 7 --inject 'PHRASE="go make something"'.

Setup (once)

sh scripts/setup.sh

Installs the exact dependency tree recorded in scripts/package-lock.json. All commands below run from scripts/.

Flow A — prompt → write-on animation

node render-anim.mjs sketches/handwriting.anim.js out.mp4 \
  --size 1600x900 --fps 24 --seed 7 --hold 12 \
  --inject 'PHRASE="your text here";SIZE=170'

• Full alphabet: lowercase, caps, digits, ? . , - / @. Wraps automatically.
• Dials via --inject: SIZE, INK (hex), BRUSH ("2B" pencil, "crayon",

"charcoal"), PAPER=1 for blank paper.

• The run writes out.track.json — per-frame pen position. For a

camera-follows-pen move, crop each frame along the smoothed track (exponential follow, gain ~0.14, camera y LOCKED to the baseline — never follow the pen tip's y or the camera bounces on every ascender).

• For scraggly/messy writing raise the per-letter jitter in the sketch; for

word-sync to a voiceover, transcribe first and start each word's strokes at its spoken time.

Flow B — photo → painting (+ paint-on film + camera)

Still:

node render.mjs sketches/repaint.anim.js out.png \
  --size 720x900 --seed 3 --image photo.jpg --inject "STYLE=0;DETAIL=3"

Paint-on film (the painting paints itself, coarse-to-fine, painter-ordered — calm regions first, the face last):

node render-anim.mjs sketches/repaint.anim.js out.mp4 \
  --size 720x900 --seed 3 --image photo.jpg --fps 14 --hold 40 \
  --inject 'STYLE=0;DETAIL=3;SUBJECT="0.5,0.5,0.44,0.55"'

• Crop to the subject first. Face size in frame is destiny: selfie-distance

faces resolve beautifully; small faces stay figures. Portrait 4:5 or 9:16.

• Dials: STYLE 0 pastel / 1 gouache / 2 charcoal-sketch. DETAIL 1 painterly,

2 faces resolve, 3 soft features (noses), 5 portrait-grade (adds a second fine lap). LOOSE 0.7–1.5 stroke wildness. SAT color compensation (~1.1).

• SUBJECT="cx,cy,rx,ry" (image fractions) paints everything inside that

ellipse through all passes FIRST and drops a subject-done frame marker. Camera pull-out recipe: hold tight on the subject, then at the marker frame ease wide with ffmpeg zoompan (cosine ease, ~2s): zoompan=z='if(lte(in,M),1.9,1.85-0.85*(0.5-0.5*cos(PI*min((in-M)/28,1))))' (upscale 2x lanczos first so the tight phase stays sharp).

Flow C — video / Live Photo → living painting

node render-video.mjs clip.mov out.mp4 \
  --size 720x900 --fps 12 --seed 7 --inject "STYLE=0;DETAIL=2"

• The stroke lattice is built ONCE from frame 1 and locked; only colors and

orientations resample per frame. Strokes hold still — the painting never "boils" while the subject moves.

• Live Photos: get the paired .mov (share-sheet Options → Live Photo ON,

or Photos.app → Export Unmodified Original). If it arrives as bare JPEG the motion was stripped in transit — ask for a 2–3s normal video instead; that's better input anyway.

• Motion triage first. Live Photos include the phone swinging. Measure

per-frame motion (ffprobe -f lavfi "movie=in.mov,signalstats" → YDIF), paint only the calm window with --start/--dur, and ping-pong the result (forward+reverse concat) for a seamless breathing loop.

• Big camera motion? WORLD=1 tracks the camera by image correlation and

lets strokes live in world coordinates — the camera pans across one growing painting. Translation-only; fast zooms drift.

• Subject-only painting: matte frames first (`npx hyperframes

remove-background), pass the matted PNGs with --frames DIR and MASKED=1, and set BG` to your paper color.

• Dark footage: grade with gamma only (eq=gamma=1.2). Never boost

saturation before painting — shadow chroma noise becomes literal teal paint.

QC gates (all flows)

• Read the actual output frames; never ship on intent. Check: faces resolve,

no bare-canvas gaps, first/mid/last frames coherent.

• Same seed = identical render. Iterate one dial at a time against a fixed seed.
• For anything joining a larger film, verify seams numerically per

motion-doctrine — this skill produces material, not final grammar.

references/flows.md has full worked recipes; references/gotchas.md is the list of failure modes already hit so you don't hit them again.