
原文
GPT Image 2 · en
This is a cinematic cyberpunk nighttime raid, set on a rain-soaked rooftop terrace in a futuristic metropolis, shot from the rear side of the tactical squad in a wide-angle lens. Five fully armed tactical soldiers, clad in futuristic black body armor and full-face helmets, are assembled in front of a metal door on the far left: one soldier is breaching the door, one foot raised, bright orange sparks flying outwards; another soldier follows closely behind, aiming inside; one soldier crouches low in the center, rifle ready; one soldier stands on the right-center, aiming at the opposite side of the terrace; and one soldier kneels guard behind a railing in the foreground on the right. The environment is filled with towering skyscrapers, elevated bridges, distant traffic lanes, damp and reflective metal surfaces, floating steam, rain and mist, and a deep blue-black stormy sky. Neon signs and massive billboards are dominated by magenta, cyan, purple, and electric blue, including clearly visible "POCARI SWEAT" (twice), "softsys," "DATA INC," "ROSE," "BARIKI," "2F," "KIROSHI," and multiple vertically arranged Japanese and Chinese neon signs. Two hovering aircraft are visible in the mid-to-far distance, with countless illuminated windows extending into the distance in the background. The overall atmosphere should be rough, melancholic, high-contrast, and slightly glitch-like, with a nostalgic, old-school AI art instability: some billboard portraits are distorted or partially obscured by soft purple rectangular blocks, some sign text is inconsistent, and fine architectural details have subtle smearing or repetition. Emphasis is placed on damp reflections, volumetric fog, sparks, rim lighting on soldiers, a dense sense of urban depth, and dramatic action-movie compositions in the keyframe style of dystopian sci-fi concept art.使い方
- パラメータを含む元のプロンプト全体をコピーします。
- 被写体、文字、構図を自分の要件に置き換えます。
- 対応する外部ツールで使用し、利用条件と結果を確認します。
開始前の確認
- 参考画像の要否を確認してください。互換モデルの表示は、そのモデルでの生成実績を意味しません。
- 名前、数値、画像内の文字を確認します。モデルの版で結果は変わります。





